第三十二章 纽约的时差
第三十二章 纽约的时差 (第2/3页)
lost.”他想了想，“What if… we create a ‘meditative space’? A **all room, with screens on walls. The game runs in real time, but slowed down. A day in the game equals an hour in real time. Visitors can come in, sit, watch the world unfold. They can interact, but minimally: change weather, change time of day. Not to ‘play’, but to ‘observe’.”
这个想法让李君宪心里一动。慢速的、观察式的体验，正好符合“冲淡”和“悲慨”的气质。但技术上……
“技术上可行。”陈末在耳机里说，“我们可以做展览专用版本，锁定视角，简化交互，优化性能。但需要调整代码，时间很紧。”
“We can try.”李君宪对Michael说。
“Good.” Michael看了眼时间，“Now, about the embroidery. We’d like to display the original, with proper lighting and conservation. And we’d like to include a short video about your mother’s story. Would that be acceptable?”
叶晚看向李君宪。李君宪点头。叶晚说：“Yes. It’s okay.”
“Excellent.” Michael最后说，“Our exhibition ‘Poetry in the Digital Age’ opens in September. We’d like to include your work. But we need to see a complete, polished version of at least one realm by June for final selection. And we’d need the embroidery and all supporting materials by August.”
六月。现在四月。还有两个月。要完成“飘逸”的完整可展示版本，还要准备所有参展资料。
“We can do it.”林薇说，声音很稳。
“One more thing.” Michael顿了顿，“Funding. MoMA can provide a modest exhibition fee, and cover shipping and insurance for the artworks. But travel, accommodation, additional production costs… that would be your responsibility. Are you able to cover that?”
钱。又是钱。李君宪快速计算：纽约往返机票，最便宜的经济舱，一人也要七八千。住宿，哪怕最便宜的，一周也要几千。加上资料制作、额外设备……至少三四万。他们账上只有六千。
“We… will find a way.”他说。
Michael似乎看出了什么，但没有追问。“Alright. We’ll send a formal letter of intent. Please review and reply within a week. Any questions?”
林薇问了一个关于展览空间的具体问题，Sarah回答。叶晚小声问能不能在展览中播放她妈妈绣花时的录音，Michael说可以考虑，但要听样本。
会议在友好但务实的气氛中结束。屏幕变黑，纽约那边下线。307办公室里一片寂静。然后，苏语第一个说话：
“They liked it. They really liked it.”
“但钱怎么办？”林薇说，打破了短暂的兴奋，“三四万，我们去哪找？”
“艺术集。”李君宪打开销售后台，“如果能在六月前卖出一千本，毛利一万三。加上游戏销量如果能到一千份，又是两万五。加起来三万八，刚好够。”
“但一千本艺术集，一千份游戏……现在才两百多和四百多。”林薇指着数据，“距离目标还差很远。”
“那就想办法。”李君宪关掉页面，“先集中完成‘飘逸’。六月前做出可展示版本，MoMA正式入选，我们就有谈判筹码。可以去找投资，可以申请文化基金，甚至可以预售纽约展览的特别版。”
“但‘飘逸’现在……”林薇看向屏幕，那个卡在“剑气”表现上的原型。
“今天晚上通宵，必须突破。”李君宪站起来，走到窗边。柳絮还在飘，更多了，粘在玻璃上，像一层薄薄的雪。“叶晚，你继续画竹叶飘落。林薇，你负责剑客动作的流畅性。苏语，收剑音效和背景音乐。陈末，优化性能，确保能在展览设备上流畅运行。我去重写输入系统的核心逻辑。”
“好。”
分工明确。办公室重新进入工作状态。但这次不一样，有了明确的目标和期限：六月，MoMA最终审核。九月，纽约展览。有压力，但也有一种奇异的动力——他们要做的东西，可能要挂到世界级的艺术殿堂里。不
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